Deep down I had a very good idea that Michael's Aladdin shirt was nothing more than a version of the infamous poet's shirt -- otherwise known as the pirate shirt, the Renaissance tunic, or -- as immortalized on TV's Seinfeld -- the puffy shirt. Also the caftan top. Granted, mine lacks ruffles, but the basics are the same: the oversized cut, the puffy sleeves, the bland beige color.
Readers, do you think any poets actually wore these shirts? I wonder. Wouldn't those oversized sleeves get all inky? When exactly did puffy shirts make a comeback -- the late Eighties/early Nineties? I've repressed all memory of them since having to wear one every day when I played Rancid Harry, the village leper, at the New York Renaissance Festival years ago.
Anyway, I'm almost done with my version. As you can see it's a big, slightly sheer, beige tunic.
Instead of using bias trim (see Saturday's post), I made decorative flat-felled seams on both front and back.
The front placket came out very nicely.
I used my June Tailor board to open up the collar seams -- I love that thing.
Monday evening and it's starting to look like a real costume!
Friends, do you abhor poet's shirts as much as I do? Do they have any redeeming qualities whatsoever unless worn under a brocade vest, ideally by Johnny Depp -- or better yet, Errol Flynn?
Do you agree with the MPB reader who sent me a personal email over the weekend telling me not to use muslin for the shirt because it was too boring? Would cotton gauze have made much difference? I mean, the muslin I used is pretty sheer and very drapey. And most of this shirt will be hidden under a vest, anyway.
In closing, did you or anyone you know ever wear a puffy shirt? Do you still? Be honest!
I'm a native New Yorker and sewing fanatic! I started sewing in 2009 and today make all my own clothes using vintage patterns and vintage sewing machines. Welcome to the warm and whimsical world of Male Pattern Boldness, where the conversation is sewing, style, fashion, fabric, and more!